About us
(/ˈsənē/) (/ˌkælɪˈfɔːrniə/)
Truth shuns the glare, having no need to shout for an audience. It prefers the margins—patient, unadorned, and breathing in the hush that settles once the noise has finally exhausted itself. Listening begins here: in the dust resting in an empty room, in the quiet that arrives when the world pauses and nothing asks for attention. In that stillness, truth reveals itself without ceremony.
This work is constructed from what survives—from fragments worn smooth by living and objects left behind before their story was complete. These remnants carry a tenderness that cannot be manufactured; they hold the imprint of hands, the memory of breath, and the weight of time passing through. What is gathered is not meant to restore what was lost, but to honor what endured.
There is a pull toward the threshold between who we were and who we are becoming—the suspended moment before the lungs give way. It is the place where certainty loosens its grip and honesty steps forward, unguarded. In that transition, we find our most authentic selves.
I return to those the world has learned to overlook. They reside at the periphery of the frame, often mistaken for shadows or simple absence. I do not ask them to explain themselves; I allow them to inhabit their own fullness, carrying their weight without apology. When they meet your gaze, it is not a challenge. It is recognition—a quiet reminder that to be seen is not to be owned.
What holds us together lives here. Not in loud declarations or borrowed authority, but in the steady insistence that we belong to one another. It is found neither above nor below us, but between us—in the shared air we breathe and the silence we learn to respect.
The figures themselves are not drawn. What appears instead is the night that has gathered around them. The heavy air carrying their shape is saturated with color, so their presence is felt long before it is named or explained.
I know this work may not last. Time will layer itself gently and then relentlessly over what has been made, but that impermanence does not trouble the heart. These pieces exist not to possess what they touch, but to speak with steady resolve: I was here. I witnessed this. I carried it with love, for as long as I could.
Suhni California
Option 1:
Suhni California is a visual storyteller who constructs work from what survives—fragments, remnants, and the imprint of hands. she honors the truth found in the margins and the resonance of the overlooked. Her practice is an act of steady resolve: a quiet witnessing of what has endured broken . using shadow to define the weight of those the world has learned to overlook. For her, to create is not to possess, but to say: I was here, and I carried this with love. Suhni California explores the threshold between presence and absence. For her, to create is not to possess, but to say: I was here, and I carried this with love.
Option 2:
Working with the physical memory of breath and time, . They seek out the unadorned truth that waits in the hush after the noise has finished speaking, using shadow to define the weight of those the world has learned to overlook.
Option 3:
Suhni California creates from the space between who we were and who we are becoming, rooted in the belief that to be seen is not to be possessed. Her work allows the overlooked to inhabit their own fullness, capturing the saturated air and the silence that defines a life. Through a practice that respects impermanence, they offer a reminder that the most powerful declarations are often the quietest.
Suhni California is a visual storyteller working at the threshold between presence and absence, shaping images from fragments, remnants, and the memory of breath and time. By drawing the night that gathers around a subject rather than the figure itself, her work honors what survives in the margins and allows the overlooked to inhabit their own fullness. Rooted in a respect for impermanence, her practice is a quiet witnessing, a declaration without possession, saying only: I was here, and this mattered.
The whole piece feels like memory trying to hold itself together before it finally slips away.
This piece feels like a quiet soul caught between worlds. The figure leans inward wrapped in that burning orange that cuts through the muted storm around them. It’s a tender kind of resilience, glowing against the worn textures of time.
/ˈdijədl/ /kəˈläZH/ /ˈɑːrt/
Digital Collage Art is a creative process where artists combine elements from various individual photographs or images to create a new, cohesive composition. These elements are carefully selected, edited, and arranged using digital tools and software. The result is a unique piece of art that blends different textures, colors, and themes into a single visual narrative.
Sourcing Materials: Collecting photographs, textures, or other digital assets.
Editing: Adjusting colors, cropping, or manipulating individual elements to fit the desired aesthetic.
Layering: Combining the elements in a way that creates depth and harmony.
Blending: Using techniques like masking, blending modes, and filters to seamlessly integrate the pieces.